There had been teenagers before the 1950s. The word "teenage" had first appeared in the popular press in the 1920s, but the idea that there was a time of life between childhood and adulthood that could be isolated, and that had its own peculiar characteristics, belongs largely to the 1950s.
The long-established belief had been that people remained children until they suddenly became adults; this conviction lost its hold partly because of social changes, partly as a result of the flourishing postwar consumer economy.
What has been called the "self-conscious subculture" of the young developed during the 1920s and 1930s as a largely urban white middle-class response to the increasing leisure opportunities afforded by changing social attitudes. After World War II the extra years spent in education both broadened the base of the group and gave it a clearer sense of identity.
At the same time, teenagers in work (many of them working-class) found that increases in spending power and in leisure time enabled them to move to a position where they could both assert their independenee and be courted by leading representatives of entrepreneurial America. Ironically, while teenagers were more open than ever before to market influences, they were frequently hostile to the adult culture of which the market was a part.
The identification of teenage culture with popular music, which was to become so pervasive (and so profitable), was not immediately apparent. Most popular music was still felt to be by adults and for adults. Significant changes occurred in radio and the record industry in the 1940s to make music the principal point of convergence between the young in search of identity and business in search of consumers.
Wednesday, January 23, 2008
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